#16161D is the colour code for "intrinsic grey" from the German "Eigengrau". A colour that is self-generating even in the absence of light. The same colour you see when you close your eyes. In the midst of this darkness, five performers equipped with portable lights use their beams to highlight…
As the crisis between Israel and Gaza intensifies and the risk of broader regional violence looms ever larger, the call for peace and humanity resounds with unprecedented urgency. On September 21st, an exceptional concert will take place, bringing together voices from around the world to demand the protection of all…
« Two composers born in the same year in the same region, with a mutual admiration beyond rivalry, but who never met. Two composers blinded by the same doctor. This incredible fate inspired me to imagine a real encounter between them, to hear their music in an almost contemporary way.…
A fusion of theatre, social cinema and music, Seasons explores the lives and personal quests of three characters in the style of a truly contemporary fresco. The story is told on stage, while the characters on screen evolve in a strange space, a parallel reality. They are linked by a…
Without knowing it, we are all familiar with Chopin's Nocturnes, so much so have they been used in popular culture, particularly in film. Dreamy and enchanting, they represent the apogee of spleen and delicacy, proper to the introspection and gentleness of the soul. Frédéric Chopin may not have invented the…
One of Leonardo García Alarcón's aspirations is to surround himself with artists who share his musical path and to fulfil their artistic dreams. When bandoneonist William Sabatier told him that he wanted to perform his interpretation of María de Buenos Aires in its original form, he said yes. La Cité…
Coming from the great Parisian orchestras, the musicians who make up the Sirba Octet have taken up the challenge of positioning themselves halfway between classical music and the traditional music of Eastern Europe. With Tsuzamen, they pay tribute to three peoples who have suffered genocide - the Roma, the Jews…
For the second year running, the Cité Bleue is hosting the HEM's major Fête des Claviers. Harpsichords, organs and pianofortes will join modern pianos to offer a highly varied programme of works for two keyboard instruments and four hands ranging from the Baroque period to the present day. This year,…
The Stabat Mater was once Domenico Scarlatti's most impressive work: defined by director Maëlle Dequiedt as ‘an attempt to overcome mourning through the expression of desire’, Simon-Pierre Bestion has freely adapted the score, using instruments from a wide range of origins and periods. A dazzlingly theatrical work - at times…