With *Sortilèges d’Amour*, soprano Mariana Flores draws us into a fascinating world of passion, where love takes the form of intoxication, turmoil, abandonment, defiance, lament, or a game of seduction. Conceived as a true dramatic journey, this program weaves a delicate thread between madrigals, court arias, opera scenes, and instrumental pieces, set in the heart of 17th-century Italy.
Surrounded by an ensemble of exceptional instrumentalists, Mariana Flores brings to life a whole world of emotions and transformations, where the voices of desire unfold with striking freedom, intensity, and expressiveness. From Monteverdi to Cavalli, from Frescobaldi to Sances, via Marazzoli, Mazzocchi, Bertalli, and Zamponi, this concert explores a repertoire where music closely mirrors the movements of the soul.
Love appears here in all its forms: tender or cruel, refined or imperious, lighthearted or devastating. Heroines and figures of servants, the voices of desire and those of disillusionment, the seductions of the theater and the wounds of intimacy compose an emotional landscape of rare richness. Through famous and lesser-known works, *Sortilèges d’Amour* showcases the expressive modernity of the early Baroque, when music becomes the language of the heart, the breath of drama, and the art of enchantment.
Carried by the magnetic presence of Mariana Flores, an artist deeply connected to the world of this repertoire, this evening promises a moment of great intensity, at once intimate, theatrical, and deeply alive. A concert where the singing, supported by the delicacy of the bassoon, flutes, viola, cello, harp, lute, and harpsichord, brings forth all the evocative power of an art dedicated to moving, surprising, and captivating.
Tableau I
Jacques Arcadelt (Namur, 1507 – Paris, 1568)
Amor, tu sai pur fare
Virgilio Mazzocchi (Civita Castellana, 1597 – 1646)
Sdegno, campion audace
Marco Marazzoli (Parme, 1602 – Rome, 1662)
Occhi belli, occhi neri
Girolamo Frescobaldi (Ferrare, 1583 – Rome, 1643)
Ohimè, che fur, che sono
Giovanni Felice Sances (Rome, 1600 – Vienne, 1679)
Usurpator tiranno
Claudio Monteverdi (Crémone, 1567 – Venise, 1643)
Voglio di vita uscir
Tableau II
Dario Castello (Venise, 1602 – 1631)
Sonata 10 en ré
Francesco Cavalli (Crema, 1602 – Venise, 1676)
Occhi per pianger nati, air d’Eumete de l'opéra La virtù de’ strali d’Amore
Girolamo Frescobaldi
Così mi disprezzate
Antonio Bertalli (Vérone, 1605 – Vienne, 1669)
Sonata à 3
Tableau III
Claudio Monteverdi
Madama, con tua pace, air du Valletto de l'opéra L’incoronazione di Poppea
Oblivion soave, air d’Arnalta de l'opéra L’incoronazione di Poppea
Francesco Cavalli
Dimmi Amor, che farò?, air de Diomeda de l'opéra Oristeo
Leonardo García-Alarcón / Antonio Draghi (Rimini, 1634 – Viennee, 1700)
No ha de rendirte Parias, air d’Aracne de l'opéra El Prometeo
Claudio Monteverdi
Dorme, l’incauta dorme, air d’Amore de l'opéra L’incoronazione di Poppea
Main credits
Mariana FloresSoprano
Benny AghassiBassoon and recorder
Teodoro BaùViola da gamba
Pierre-Augustin LayCello
Vincent KibildisHarp
Yuli BayeulLute
Philippe GrisvardHarpsichord



